Last week I reviewed Takashi Miike (Sun Scarred, Crows Zero, Crows Zero II, Zebraman 2)'s most impressive arthouse venture 46 Okunen no Koi, this week I'll be tackling Miike's biggest anti-arthouse middle finger: Visitor Q. Visitor Q is without a doubt Miike's most infamous film. It's a sick and depraved piece of cinema, but it manages to be pretty hilarious in the process. If you ever wondered where Miike got his reputation from, look no further.
2011 was an exciting year for the web development community. We saw the rise of mobile, coined concepts like mobile-first and responsive and braced ourselves for a future where anything could be seen by anyone, anywhere, on any device. It was a great year for experimentation and mucking about, but now it's time to get serious. The question is, can we still control the beasts that responsive and mobile-first have become?
Last week I reviewed Takashi Miike (Sun Scarred, Crows Zero, Crows Zero II, Zebraman 2)'s most impressive arthouse venture 46 Okunen no Koi, this week I'll be tackling Miike's biggest anti-arthouse middle finger: Visitor Q. Visitor Q is without a doubt Miike's most infamous film. It's a sick and depraved piece of cinema, but it manages to be pretty hilarious in the process. If you ever wondered where Miike got his reputation from, look no further.
