abstract music/or why they won't shut up
Everybody loves music. Music is everywhere. It unites the rich and the poor, young and old, indiscriminate of race and standing. But those who want music should barge willingly and with sense for adventure through the deafening whining sounds of outgrown singers and esses to reach that music. Why is it that music is banished to the background when some or other sheepish gall opens her mouth under the pretension of blessing the music with trivialities stolen from a thousand other songs.
People don't love music, they are afraid of it. Take away all vocals and fear will wield its power in their increasingly wetting eyes. They will stagger for something to hold on to, scared of the sounds raging around them, screaming for help with a cracked, manic voice. As shipwrecked individuals they search for a sampled piece of wood to keep floating. Without it, they will drown in the whirling stream of sounds that engulfs them into an eternal depth of darkness. Music is a fierce sea that can only be conquered by a raft stringed together by vocals.
Music is art and art is communication. But communication goes beyond I love you so, I do ho ho. Language is bombarded as the most direct form of communication, but it is equally the most plain form of communication. It is fabricated to transport little packet of information A as quickly, neatly and correctly as possible to person B. Verbal communication is made to seduce reason, not to spend a passionate night with feeling.
Contrary to popular believe, abstraction doesn't decrease communication, it just deforms the message. When a musician tries to communicate with a listener there's a small chance that anything meaningful will be communicated between the two. Luckily this doesn't take away from the experience of the listener. It is reminiscent of the game where a sentence is whispered around a big crowd. The result doesn't resemble the original sentence in the slightest but is often a whole lot more interesting.
Abstraction feeds its message directly to people, it plays on feeling without having to pass reason. Music doesn't get processed, but it is felt. It forms a direct link with your innermost being and intrudes the darkness that can't be accessed by your own self. The result might be unpredictable but most definitely a lot more intense than premeditated communication.
It is also a lot harder to repeat abstraction. People can sing along to the wheezing voices on the radio and happily continue doing so even if the radio breaks down. They can still do this with an easy to whistle melody if needed, but anything remotely more difficult becomes impossible. Abstraction needs to be consumed at the very moment. It has to be enjoyed now and it will leave you begging for more later. It's a mental picture that leaves behind steaming passion. It is like the woman waiting for you with the kind of hug that is irreplaceable. It's the reason why you go home every evening instead of trying to find pleasure with an air-filled substitute bearing little resemblance to the original.
But people love music and continue singing without a trace of shame. If possible, in an understandable language with the lyrics next to them to take it all in as good as possible. And thus they adequately put up a screen in front of themselves so they don't have to be afraid of being completely overwhelmed. People are scared of what they do not understand and flee in the safe boredom of the known.
Abstraction is king in the land of the mute. So maybe it's better not to talk about it anymore.

Comments
Geert Naessens
As promised, my two cents on the matter. And it turned out rather 'serious' after all.
I must politely disagree with your message on certain points...
In my opinion, you confuse the horror of shallow lyrics with the presence of vocals. The beauty of a well-sung opera ? The heart-felt words of a blues of jazz song ? Even the heated protest heard in somemodern songs ? When vocals and instruments go hand-in-hand, great things can be born... greater dan each separately - but indeed subject to more failure as you need to perfectly tune two elements rather than perfect a single one.
I also find the statement that 'people fear music' a rather crass generalisation. What about the many people who thouroughly enjoy non-vocal classical music ? Non-vocal Jazz ? African drum music ? And the myrad of other purely instrumental styles.
While speech is indeed arguably the most direct form of communication, I cannot say I feel the same about it's limitedness to convey emotion, passion or thought. Read any of the great poetic works - or even the random scribblings of an emotionally distraught teen - and you'll feel a clear driving emotion woven through the words.
I - much like you it seems - have a sort of eternal grudge against the commercially promoted shallowness of many of the currently popular styles of music. But you cannot argue that even amidst this sea of unflavoured, bland, pre-chewed auditive garbage, there are small pearls hidden in shells of predjudice ? Of course, this is heavily dependent on personal taste (about which very little discussion is possible), but I feel that nearly anyone would be hard pressed to just reject this out of hand.
Personally, I find abstract music not much more than concerted noise. Sounds that are mathematically glued together, but without the usual rhyme or reason that is behind other music since the dawn of music. This of course brings up the question 'What is music and from what point do we speak of noise ?'. Unfortunately, a question for brighter minds than mine.
Niels Matthijs
The thing with lyrics is that they are always part of a process that is largely dictated by reason. In that sense, I often find them too manipulative to appreciate. That's not to say that lyrics are bad per se, I just think they're often in the way of better means to communicate emotion.
Sometimes it's good to have a fresh perspective on things. Something that's often lacking in most mainstream projections of art.
And of course I respect your right to disagree with the things I write, but do bear in mind that the article is a big old rant and is void of any nuance or sense of reality. It's just a gut reaction to the lack of appreciation most "experimental" music out there receives.
Geert Naessens
Point taken about the rant. And I find myself suddenly just as guilty of generalisation, since I class all 'experimental music' under the nomer of questionable items without really knowing what the full spectrum offers.
Perhaps a little immersion is in order...
Bolinao Paradise
that was a good entry .. job well done