November 08, 2013
Takashi Ishii is a unique force in Japanese cinema. Often focusing on the bizarre and the perverse, Ishii makes films that exist far outside the comfort zone of the normal. By all means his films should come off as cheap shlock, possibly interesting in concept only, but for some obscure reason Ishii has managed to produce a consistent track of high quality output throughout the years.
Figyua na Anata is his latest and pretty much fits the profile. Drawing inspiration from the likes of Video Girl Ai and Koreeda's Air Doll, the film's about a lone loser finding a doll that comes to life. It's actually a pretty popular setup in Japanese manga and anime, only Ishii's vision is a tad more perverse than usually the case. Instead of jolly encounters and fluffy awkwardness, expect dark allies, murdering yakuza and pinku influences.
But it doesn't really stop there. Ishii goes on to create a rather sad tale of loneliness and despair, hidden in a blur of fighting dolls. The film follows a young editor (Kentaro) who loses his job and goes out on a drinking spree. He ends up messing with the wrong people and while fleeing into an abandoned building, happens upon a strange, life-like doll. When his assailants finally catch up with him, the doll comes to life and saves his life. The next morning Kentaro wakes up and takes the doll home, acting as if she's become his girlfriend.
The final 20 minutes border on the absurd, giving Figyua na Anata that extra little boost to make it stand out from similar films. Takashi Ishii is a strange man, his films never really appealed to me that much but upon closer inspection there's a lot of quality hidden under their raunchy exteriors. Well worth a try if you're looking for something different.