Only my second feature-length Antonioni, this time in color and in English. Sadly it didn't make that much of a difference, while I understand the film's historic significance I found the actual result to be quite underwhelming. I do believe it did explain a thing or two about Antonioni's segment in Eros, which I felt was by far the weakest in that anthology.
It's always a bit of a gamble when directors make a film in a language that isn't their own. It's no surprise then that the performances felt very stiff and unnatural. Redgrave and Hemmings looked incredibly uncomfortable and uncertain of what they were supposed to be doing, which is not a good start for a film that spends so much time circling its main character.
Blow-Up is very much a mood piece though, a true relic of the 60s. That's pretty cool for people who like the 60s, personally I couldn't care less. The music was atrocious, the cinematography looked rather grim and the fashion and styling were ugly as can be. And even though there are a handful intruiging scenes, they are few and far between, and they get completely overshadowed by the ones that miss their target. Not impressed.