Also known as
Itoshi no Irene
Specifics
Japan [2018] - 137m
Genre
Directed by
Keisuke Yoshida
More info on
rating
3.5*/5.0*
Come On Irene poster

Watches

December 09, 2020

3.5*/5.0*

A neat little surprise. The film reminded me a little of the gritty Japanese dramadies that were in fashion ten years ago. Come On Irene offers a weird blend of genres that's pretty much impossible to pin down. The fact that it's so unpredictable is both a blessing and a curse, but in the end the balance is positive.

Iwao is a deadbeat who still lives with his parents. He has a crummy job in a pachinko parlor, and he has no outlook on finding a proper soulmate. One day he decides to pack up and go to the Philippines to buy himself a wife. When he returns, his father is deceased and his mother isn't too pleased with Iwao's choices in life.

Performances are strong, the film looks rather polished and even though it's quite long, it never really drags. The main reason is that director Yoshida keeps jumping between comedy, crime and drama, which makes it difficult to see where it is all leading. The film comes quite close to greatness, but stops short of making it all the way.