A fine Irish genre/indie film. Somewhat customary for Irish genre work, the film has a very solid dramatic foundation with slimmer genre elements layered on top. It probably wouldn't be too hard to frame this as a full-on drama simply by tinkering with the styling, instead director Randal Plunkett goes for a darker, more mysterious approach and adds minor mystery and horror touches to his first full-length feature. The result is a rather stylish affair that heralds a promising career.
The film revolves around Simone, a bitter woman who lives alone in the countryside. She drinks a lot, listens to metal and spends her time trying to write her second novel. One night, driving home wasted, she hits a young girl on the side of the road. Reluctantly, she loads her into her car and lets her spend the night. The girl won't reveal where she's from and even though Simone isn't looking for company, she can't just kick her to the curb.
The Green Sea is a film that thrives on atmosphere. The soundtrack and soundscapes in particular stand out. Not even so much the metal tracks, which are more incidental and little more than background noise, but the haunting melodies and distorted rumbles that give the film a dense mood. Coupled with a grim and desaturated color palette, a lingering camera and sharply edited segments that drive up the tension, it makes for an impressively stylized film.
Plunkett does well to keep the mystery intact while revealing just enough to give the necessary context to the plot. The performances are solid, and the finale is memorable. The Green Sea loses a tiny bit of steam in the middle part, I guess a runtime closer to 90 minutes would've fitted the film a little better, other than that I had no real complaints about this one. I'm already looking forward to seeing what Plunkett will come up with next.