Much like Zigeunerweisen, this is a Suzuki film that holds a lot of potential, but is way too long and gets a bit sluggish after a while. If Suzuki had managed to cut this back to 90-100 minutes it would've been a much better film, now it took me quite a bit of effort and stamina to reach the end.
That's not to say nothing interesting happens. Suzuki remains his old self and quirky, weird and goofy ideas are littered throughout the film. The biggest problem is the moments in between, the sometimes endless conversations and theater performances that seem to suck much of the energy out of Heat-haze Theatre.
The cinematography is interesting, often very colorful and well-framed. The soundtrack is a bit too dependent on classic Japanese songs and the plot a bit too sparse to fill 140 minutes, but at least Suzuki kept it interesting until the end. It's just a shame that there are too many generic intermissions.