Omori further establishes his reputation with one of his impressive but very unpleasant films. Taro the Fool isn't an easy watch. There are no characters you can root for, there is no light at the end of the tunnel, no relief for those who power through. Then again, that's what makes these nihilistic films so worthwhile.
Taro is a young boy who isn't quite like the rest. His mother doesn't care for him, so he tends to ditch school and hangs around with his two friends, Eiji and Sugio. This trio always gets into trouble, but when they rob a young Yakuza and end up with his gun in their possession, things are about to get worse.
The central trio aren't very nice boys, neither are their adversaries. The film is really just an escalation of bad behavior, still Ohmori finds a way to make his audience care for the leads. If the styling had been just a little grittier I probably would've found another personal favorite, but this was very impressive regardless. Just know what you're getting yourself into.