Kazuyoshi Kumakiri

With a superb soundtrack, two killer leads and some visual panache, Kumakiri delivers a film that has the power to linger. That is, if you can stomach the punches My Man dishes out.

Kumakiri is back on track. Mukoku is a powerful drama mixed with strong genre elements (in the form of Kendo). The acting is superb, the film looks lush and the score is a real asset. Not as subtle as you may expect from a Japanese drama, but not worse for it.

Kazuyoshi Kumakiri is an odd choice for doing a manga adaptation, it's no surprise then that Freesia: Icy Tears turned out to be a pretty odd film. Its fictional future is never explained in full, the characters are rather hard to read, and the somewhat muted approach to the material is certainly not standard. And that's exactly what makes this film stand out. It's a pretty intriguing and mystifying feature that kept me interested in the story and characters, while also establishing a unique atmosphere. Nothing quite like it, which makes it a worthy recommendation in my book.

Hole In The Sky is slow-paced cinema. There isn't much happening in terms of dramatic events, the characters are rigid and introvert and odd behavior is often taken for granted.