If you're looking for a stellar martial arts flick though, Fearless is a safe bet.
The Phantom Lover
The Bride with White Hair
Saving General Yang
Solid short that thrives on psychological horror. An upright family man and a rapist/murderer die at the same time. When they're brought back to life, they've changed bodies. The direction of Yu is a little inconspicuous, but the story is nice and there are some decent twists. Nothing too special, but a fun little diversion.
Freddy vs. Jason
The 51st State
Bride of Chucky
Shogun & Little Kitchen
Worthy but flawed
Legacy of Rage
The Postman Fights Back
Bless This House
Silly horror comedy that's mostly just comedy. None of the scares are scary and the acting is so over the top that it's hard to believe anybody would be creeped out by this film. It's somewhat amusing and short, which makes it an easy watch, but it's not very memorable and not even close to Yu's best work.
Like many Hong Kong directors in the late 80s/early 90s, Ronny Yu traded in the Hong Kong backdrop for a European one. For China White, he landed on Amsterdam (also Paris and Rotterdam) to unfold his little crime/action epic. The result is pretty poor though, with only a few above average action scenes to save it from complete disaster.
Expect a plethora of horrible accents, some misplaced drama and romance and a very generic plot that deals with several gangs wrapped up in a bloody turf wars. Yu brought in some famous actors (Andy Lau among others), but they only show up in smaller secondary parts, so their impact is limited.
The rest of the cast is pretty terrible, including cult icon Billy Drago. I'm not quite sure what Yu was trying to do with this film, but his talents lie elsewhere (fantasy and horror are his thing) and this weak attempt to follow in the footsteps of John Woo and Ringo Lam feels like a big misstep.
A pretty lackluster start to Ronny Yu's solo career. This is a rather dull police thriller, with a serial killer on the hunt for prostitutes. The action scenes are dim, the murders are boring and the investigation feels mandatory. It's not uncommon for Hong Kong directors to start their careers on low-end productions to learn the tricks of the trade, this is one of those film.