The good stuff
Sequel to Ishii's earlier reboot. If you're familiar with Ishii (or the other films in the series), you'll know what to expect. Rather raunchy and risky material, but delivered with style. The film looks nice, the actors are solid and it's appropriately dark and moody. Some scenes go on too long, but apart from that pretty interesting.
A dark and stylish thriller that is surprisingly low on erotic elements, despite its title and the director's reputation. Takenaka is an excellent lead, the dark and neon-lit interiors add to the atmosphere and the story is a little strange, but entertaining. This early Ishii is worth seeking out, unless you prefer his sleazier output.
Takashi Ishii doing his version of Perfect Blue. It's very direct, way more twisted and quite a bit darker, but that's to be expected. Ishii does a good job elevating what is basically a pretty sleazy and perverted film, but the first hour is a little tough and his experiments with digital aren't always successful. Still worth a try.
Typical 90s Takashi Ishii film. With its roots firmly in the pinku genre, Ishii adds plenty of crime elements and gives the whole a nice polish. The cinematography is remarkable, the plot is interesting enough and the drama has actual impact. It's far from a masterpiece, but very entertaining and much better than you'd expect a film like this to be.
Early Takashi Ishii. Not quite as edgy as his later work, instead it feels more like general repetition for his own Gonin. A young Masatoshi Nagase steals the show, Ishii himself adds to the fun with some well-directed scenes. Pacing and styling could use some work, but overall it's a fine film.
Solid, straight-forward crime flick by Takashi Ishii. Ishii keeps his trademark pinku influences to a minimum and goes for a more direct revenge flick. There are some decent performances and a few tense moments, but it's the moody soundtrack that sets this film apart from its peers. Simple genre film, well executed.