Everyone Says I Love You
Husbands and Wives
A solid Allen flick, but really just a rehash of his usual tricks, hang-ups and interests. The '30s Hollywood jet set setting is fun, but the pull of New York is forever there and once the film shifts from mood piece to narrative-driven romance it starts to stumble a little. Not a bad film, but once you've seen a couple of Allen films it does get a little predictable.
To Rome with Love
You Will Meet a Tall Dark Stranger
Melinda and Melinda
It's quite interesting that despite all the narrative frivolities, dream sequences and blurred lines between dream and reality, Deconstruction Harry still feels like a pretty regular, run-of-the-mill Woody Allen film. His character and dialogues pretty much overshadow everything else in his films. I generally appreciate his work, but I'm not a true fan.
Manhattan Murder Mystery
Classic Allen, though I didn't quite expect to see a real murder mystery. In the end it doesn't even add that much, this is still the big Woody Allen show, with rattling dialogues, cultural references and a light-heartedness that suits the film. I found it quite nice, but like most of his work, it all depends on whether you can stomach Allen's trademark style.
Crimes and Misdemeanors
Typical Allen film. If you've seen a couple, especially the famous ones, you'll know what to expect. A jazzy soundtrack, Allen's neurotic self, tons of dialogue and some sly comedy. He also toys with the plot structure, but that wasn't too interesting, neither were all the obligatory references to established artists. Fun though.
Worthy but flawed
Midnight in Paris
A Rainy Day in New York
Cookie cutter Allen film. Another love letter to New York, another romance between some neurotic young ones, another bombardment of cultural reference. Only the cast is slightly different. Chalamet is decent but not remarkable, Fanning is a complete fluke, Gomez is surprisingly decent. One of Allen's less relevant films.