There's no weak link here, no bad parts or boring bits. It's a celebration of animation as an art form and it stands in stark contrast to other contemporary feature-length animation films.
Anthology projects offer the world a glimpse of the diversity of Japanese animation. Memories is one of the best of its kind and probably one of Studio 4°C's most prestigious undertakings so far.
Doesn't feel like it aged a lot. The animation is top-notch, the soundtrack is memorable, its universe feels alive and lived in, and the film goes out with a bang. Literally.
Steamboy is a treat for animation fans everywhere. Simple enough to not alienate Western audiences, superbly animated and spilling over with lush details.
Neo-Tokyo (together with Robot Carnival, another 1987 anthology sporting promising names) helped to pave the way for a respectable stream of animated anthology films coming out of Japan.
The good stuff
A fine selection of shorts. There are one or two flukes here, but the rest is so unique and special that they're easy to forget. It's one of those animation anthologies that gives you a wide variety of styles, moods and stories in a very short span of time, exactly why I love these types of films. Robot Carnival is a classic, deservedly so.