Yo Ni Mo Kimyo Na Monogatari (Tales of the Unusual) is one of the many Japanese anthology films out there, though it's not just your average horror anthology. Instead the stories focus more on mystery and weirdness, at times resembling a condensed version of The Outer Limits (if anyone still remembers that series). Masayuki Ochiai (Kansen) and Mamoru Hoshi ((Boku To Tsuma No 1778 No Monogatari) are the directors to keep an eye on, Masayuki Suzuki (GTO) and Hisao Ogura complete the quartet.
Ochiai kicks off this anthology with "One Snowy Night", a pretty straight-forward horror short about a small group of plain crash survivors stuck high up the mountains. With a fierce blizzard running wild and only a small cabin to protect them from the cold, it doesn't take too long before cabin fever takes over. Or at least, that's what seems to be happening. Ochiai is clearly in his element here and delivers a moody, somewhat twisted short that serves as a good introduction for the anthology.
The second short is Suzuki's "Samurai Cellular", a rather odd tale about a samurai who one day finds a cellular phone. The man on the other side is a desk clerk burdened with the task to verify the accuracy of certain historic events. As he walks the samurai through the events, history is being shaped. A bright and funny short, Samurai Cellular makes it clear that this isn't just a horror anthology, but directors were given enough room to take the concept wherever they pleased.
With Chess, Mamoru Hoshi delivers the best of the bunch. His short is high on concept, sharply executed and boasts an impressive finale. A lauded chess champion loses his championship match against a computer, in front of a large, dismissive audience. He can't cope with his defeat and falls in a dark void. Until one day a wealthy businessman kidnaps his wife and forces the champ to play against him. Hoshi flaunts his skills and demonstrates just why I like watching these kind of anthology films.
The final segment is Ogura's The Marriage Simulator, a more romantic take on the concept. The title pretty much gives it all away. A young couple who's about to get married is offered a unique chance. They can peak at their own future using a special machine, giving them a glimpse of their married life. Of course things turn out sour when the bluntness of everyday life hits the young couple, the question is whether they can survive the coming hardships. Ogura's attempt isn't half bad, but the romance never really catches fire and it's probably the weakest offering of the anthology.
Still, Yo Ni Mo Kimyo Na Monogatari is definitely worth a gander if you can handle these type of anthology films. Hoshi's Chess alone is worth the gamble, but the other ones aren't find behind and offer a nice variety of styles and genres.
Decent anthology, sadly without stand-out entries. Kaidan stories aren't very scary or gory, so don't expect any modern horror action. Tsukamoto and Koreeda deliver the best entries, Lee's one is decent, the only subpar short is coming from Ochiai. Ironically, the only true horror director present.
Worthy but flawed
A pretty basic Japanese horror film that doesn't really attempt to push the boundaries. The nature of the ghost is somewhat original, but the hauntings feel very familiar and the cheapish look fails to give much weight to the horror. It's simple filler, amusing enough for genre fans but forgettable and lacking true ambition.
Unnecessary. Unless you're completely up to speed on the Ju-on lore, this film is almost impossible to follow. What remains are some detached scares that haven't evolved one bit in 16 years time. White Toshio standing around and Kayako crawling down the stairs, you've seen it all before.