Masayuki Suzuki

Ochiai kicks off this anthology with "One Snowy Night", a pretty straight-forward horror short about a small group of plain crash survivors stuck high up the mountains. With a fierce blizzard running wild and only a small cabin to protect them from the cold, it doesn't take too long before cabin fever takes over. Or at least, that's what seems to be happening. Ochiai is clearly in his element here and delivers a moody, somewhat twisted short that serves as a good introduction for the anthology.

The second short is Suzuki's "Samurai Cellular", a rather odd tale about a samurai who one day finds a cellular phone. The man on the other side is a desk clerk burdened with the task to verify the accuracy of certain historic events. As he walks the samurai through the events, history is being shaped. A bright and funny short, Samurai Cellular makes it clear that this isn't just a horror anthology, but directors were given enough room to take the concept wherever they pleased.

With Chess, Mamoru Hoshi delivers the best of the bunch. His short is high on concept, sharply executed and boasts an impressive finale. A lauded chess champion loses his championship match against a computer, in front of a large, dismissive audience. He can't cope with his defeat and falls in a dark void. Until one day a wealthy businessman kidnaps his wife and forces the champ to play against him. Hoshi flaunts his skills and demonstrates just why I like watching these kind of anthology films.

The final segment is Ogura's The Marriage Simulator, a more romantic take on the concept. The title pretty much gives it all away. A young couple who's about to get married is offered a unique chance. They can peak at their own future using a special machine, giving them a glimpse of their married life. Of course things turn out sour when the bluntness of everyday life hits the young couple, the question is whether they can survive the coming hardships. Ogura's attempt isn't half bad, but the romance never really catches fire and it's probably the weakest offering of the anthology.

Still, Yo Ni Mo Kimyo Na Monogatari is definitely worth a gander if you can handle these type of anthology films. Hoshi's Chess alone is worth the gamble, but the other ones aren't find behind and offer a nice variety of styles and genres.

When an architect is close to bankruptcy, he moves back to his hometown, where he tries to reconnect with his estranged brother. He once left for Tokyo to make a better life for himself, his brother stayed behind to run the family bathhouse. He tries to convince his brother to sell the place, but he isn't willing to budge.

The outcome of the plot is pretty predictable, the performances are a little fluffy and the nostalgia was a bit hit-and-miss. The characters are cute though, and Japan's bathhouse culture is interesting. For a better film, I recommend Thermae Romae, but Yudo is decent enough filler.

Asagi and Kuryu are two public prosecutors who used to have a thing. They've since parted ways, but a mysterious accident puts them back together again. It's a tough case though, as the crime happened right next to the embassy of Neustria (a nondescript European country that looks like a mix between Germany and France).

A star-studded cast and a very agreeable first hour set the bar for Hero, but Suzuki can't quite keep it up. The film start slacking during the second part, the comedy slips to the background and the investigation becomes more prominent. Not a bad film though, but Suzuki should've been a little smarter with the balance.