Soderbergh alternates between indie and big budget cinema with relative ease and even manages to be successful in both. Any director who regularly challenges the industry, the audience and himself deserves the proper respect.
Movies
By far one of the craziest and weirdest films Soderbergh directed. Schizopolis is near impossible to describe, but the dry and deadpan comedy that strips away the layer of decency built up by our society is a joy to behold. A tad long maybe, but that's hardly an issue when there's so much originality and creativity on display.
A stylish Soderbergh. It's another one of his smaller projects, but these are often the best ones. There are some extremely familiar faces here, but the cast is small and the plot is very contained. It's an excellent little thriller that builds up to a tense finale, but it lacks something special to make it truly stand out. Fassbender is excellent, and the rest of the cast is on point too. The cinematography is stylish, the score is proper, and the runtime is perfect. There's no fat to trim, no lulls, just don't expect an action flick, because this is a core thriller. One of the better Soderberghs in recent times.Read all
You'd be forgiven for thinking this is a boring and insignificant film, but as time passes Soderbergh talent starts to shine through. What is essentially a very simple story becomes fun and intriguing. Well acted, Soderbergh's direction is strong and the whole phone cinematography thing transcends its gimmicky nature.
Fun and quirky take on the Panama Papers scandal. In the same vein as McKay's The Big Short, Soderbergh tackles a pretty complex and dry subject in an accessible and amusing way. With a star-studded cast and plenty of flair, he turns what could've been a dull and lifeless affair into an extremely watchable film.
This is Soderbergh's adaptation of Lem's novel, not Soderbergh's remake of Tarkovsky's film. And that's a good thing really, since I'm not a big fan of Tarkovsky's sci-fi. The first time I watched Solaris I was really blown away by it, watching it again it's still a strong film, but it clearly lost some of its charm over time. The atmosphere is thick and brooding, but also a little cold and detached. Stylistically, Solaris has lost a bit of its shine, the soundtrack in particular felt a bit too bombastic. Performances are good, the mystery is intriguing and the pacing is apt, it's just that little extra polish that lacks to make this a true personal favorite.Read all
A fun crime flick, thanks to the superb performance of Terence Stamp and the pointy direction of Soderbergh. It's an excessively simple setup really, not the kind that would usually grab my attention, but thanks to some smart choices and a few nice spins it stands well above most of its peers. Stamp's role is key here, he breathes life into his character and turns him into a sophisticated, cold hardass. The narrative toying is cute, the secondary roles are interesting and the pacing is slick. There's no fat to trim here, just the necessary bit to make an entertaining crime flick. Not quite as special the second time around, but worth seeking out if you haven't already.Read all
Soderbergh's latest feels like a small diversion in between bigger projects. It's an odd and somewhat lazy mix of themes and elements that combine to form a contemporary tech thriller, but it's really just Soderbergh's direction that makes certain the film ends up as decent genre filler. It's little more than a new take on the small man vs corporate overlord story, with a tech premise and an agoraphobic lead. These elements never feel very grounded and are merely an excuse for the thriller part of the film to move forward. The pacing is solid, the runtime short, and it never bores, but it's not a film that leaves a big impression.Read all
Decent Soderbergh. Unsane delivers a nice spin on the horror genre, with a premise that is dark and grim, but in a very down-to-earth way. Sadly the "shot on iPhone" novelty doesn't bring too much to the table. Would've worked better as a traditionally shot film, but still worth a gamble.
One of Soderbergh's indie projects. A small but genuine and candid drama about a high class call girl trying to balance her work with a relationship. The acting is decent, the cinematography is intimate and the film doesn't overstay its welcome. It's nothing out of the ordinary, just a solid and well-made film.
The idea behind Soderbergh's latest is pretty cool, the execution could've been better. The entity is mostly just a floating camera that follows a family around that just moved to the suburbs after a traumatic experience. It rarely intervenes, and it doesn't do many other ghostly things, so most of the film is nothing more than plain, basic drama. Which isn't terrible, but it's a bit dry considering the premise that we're seeing things from an entity's perspective. The performances are decent, other than that it's all pretty basic. I'm not sure if the less-is-more approach was ideal here, but it's clear that the premise alone wasn't enough to make a great film.Read all
Soderbergh's latest is a streaming exclusive. That's a little disappointing maybe, but I'm glad he's at least back to directing films. While he hasn't lost his flair as a director, Let Them All Talk felt a bit overripe. It's probably the topic that didn't really appeal to me, still I was hoping for something a little livelier. Alice is a renowned writer who has been selected to receive a rare literary prize. The only problem is that she won't fly, so she has to take the boat from the US to England to receive the prize. She invites two of her old friends, and her younger nephew for support. During the trip the three women catch up with each other, while Alice's nephew becomes infatuated with Alice's literary agent. Performances are a bit colorless, the conversations are rather dry and the drama feels a bit highbrow. The cinematography is nice enough and there's definitely some of Soderbergh oldskool playfulness present in his direction, but that wasn't enough to keep me engaged for the entire runtime.Read all
Nice doc on Spalding Gray, though maybe a little too focused on his work and monologues. While they are primarily stories about himself and his family, Gray literally explains their poetic foundation, which makes them less fit for a documentary. Even so, a decent portrait of a man with an interesting life and fine career.
A very standard crime flick, made just a little better by Soderbergh's colorful direction. It's what saves this one from complete anonymity, but it's not enough to turn this into a memorable film. The dreary plot and poor performances are too much of a hindrance and Soderbergh didn't go all out. In all fairness, if you like (US) crime flick you probably won't be as bothered by the story, I simply didn't care for it. I appreciated the colorful photography and the pacing was decent, that's about all I'm afraid to say. Other than that, it's very generic and by the numbers, but at least it was bearable.Read all
