Log: week 33 / 2022
An army comedy, in the broadest sense of the word. It's clear that Stripes was meant to be funny, it certainly tries very hard, but I didn't crack a smile once. There's something extremely unpleasant about this film, which isn't even that uncommon for an 80s comedy. It's not that they are particularly mean-spirited (because I'd love that), they're just irritating. Murray is terrible, but so is the rest of the cast. The jokes are very predictable and consistently unfunny, the army setting is a complete bore and with more than two hours on the clock, the film outstays its welcome. Dedicated Murray/Reitman fans should probably give it a go, other than that I find this very hard to recommend.Read all
An interesting premise, some good ideas to pull the story along, but a slight lack of dedication to the genre elements. The Bunker Game could've been a better film if only director Zazzara had committed a bit more to the horror and thriller elements introduced. Instead, the film focuses too much on the actual plot, which isn't all that interesting. The setting is superb, the LARP game is interesting and there is plenty of opportunity for scares and haunts. It's just that the film seems more interested in the tepid back stories of the characters and the history of the place. This wasn't bad so much as it failed to live up to its true potential.Read all
A tragic romance delivered in a more experimental package. It's not that A Museum Sleeps challenges all existing conventions of cinema, it's a film that wears its experimental moniker in a more formal sense, but people expecting a fully traditional narrative should do well to check their expectations. Mainstream cinema this is clearly not. A nervous piano score and a 4:3 aspect ratio betray the film's arthouse influences. I didn't mind the score so much, but don't get the fascination with 4:3. I quite liked the performances and I felt the romance worked well, seeing how the tragic aspect of their relationship really hit home during the finale. A pleasant film, but it could've pushed a few more boundaries.Read all
Mediocre horror comedy. There are some fun ideas here, but the execution is pretty poor and the film fails to escape its no-budget roots. It's not quite as bad as some other films in this niche, Holt shows he has potential, it's just that his talent can't make up for the lack of proper funding. The effects are pretty poor, and so are the cinematography and the performances. I did however like the voice work, Benny in particular sounds creepy in the jolliest way possible. There are also some successful comedy moments, but it's not enough to make you forget about the disappointing bits. A pretty mixed bag in other words.Read all
A pleasant heist flick. What sells this film is the mix of narrative cinema and documentary interludes, certainly when the stories of the different parties don't really match up. It's interesting to see how this adds a level of realism while underscoring the frailty of the memories of the people involved. The performances are pretty good, the pacing on point, and the lack of extreme dramatics refreshing. The interviews are a nice little touch and even though the film is a bit long (while still having to race through the final stretches), it never bored me. Makes me want to see more by Layton.Read all
Indonesian horror cinema has grown much bigger in the past decade, which means it has also been looking to broaden its core audience. It's no surprise then to see a film like The Chanting Revisited target a younger audience, with less gore, softer scares, and a young cast. The ghost isn't all that scary-looking, there are quite a few comedic interludes and there's no real gore to speak of. It's a pretty decent entry-level horror film, certainly for younger kids who aren't quite sure about the genre just yet. Seasoned horror fans will find a decent atmosphere, but that's about it.Read all