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Onderhond's toplist: 320 - 301

Black Swan

by Darren Aronofsky
320

"Black Swan sees Aronofsky back in good shape. Opinions differ, but I'm glad he left the gritty dramas alone and went back to more familiar territory."

The Tale of Princess Kaguya

by Isao Takahata
319

"The Tale of Princess Kaguya is still a marvel to behold and definitely worth your time, but it's also a film that feels like a natural end to Takahata's career."

The Neon Demon

by Nicolas Winding Refn
318

"There is some greatness in The Neon Demon, but quite often it is bogged down by too much narrative, somewhat fickle acting performances and (unfair?) comparisons with better films."

Zinnia Flower

by Tom Lin Shu-Yu
317

"Ultimately I still prefer Lin's more frivolous side, but that doesn't change the fact that Zinnia Flower is quite the impressive drama."

Lu over the Wall

by Masaaki Yuasa
316

"Lu over the Wall is the perfect blend of Yuasa and Miyazaki. A film that feels creative and original, but is also sweet, warm and comfortable at the same time."

The Mole Song: Hong Kong Capriccio

by Takashi Miike
315

"It's more of the same of course, just 130 minutes of that same fun, entertaining and surprising comedy that makes Miike films such unique experiences."

Scott Pilgrim Vs The World

by Edgar Wright
314

"While the film drags a little in the middle the rest of it is pretty much perfect. It's fast-paced, funny, weird, extravagant and doesn't seem worried by any boundaries or possible audiences."

The Light Shines Only There

by Mipo Oh
313

"The result is a strong, remarkable drama with no weak points and a few stand-out scenes that linger long after the end credits have faded from the screen."

May We Chat

by Philip Yung Chi-Kwong
312

"Not only is May We Chat a very welcome and needed addition to the Hong Kong filmography, it's also a great film regardless."

Zoe

by Drake Doremus
311

"Zoe is extremely stylish, sports superb performances and combines smarts with relevance. It's a well thought-out mix of genres that dazzles from start to finish."

One Day

by Chi-Jan Hou
310

"One Day is above all a stylish romance, with some supernatural touches thrown in for good measure. It's a beautiful film, wonderfully executed and growing more engrossing with each passing minute."

I'm a Cyborg, but That's OK

by Chan-wook Park
309

"Quirky characters, smart ideas and plenty of creativity make for a fun, surprising and fast-paced comedy with enough charm and heart to keep everything glued together."

Shadow

by Yimou Zhang
308

"Shadow's eye-popping visuals amaze from start to finish and with all the other elements adequately covered there are plenty of stand-out scenes that may become pillars of the genre."

Our Little Sister

by Hirokazu Koreeda
307

"Because the film lacks any sense of urgency or lingering drama, it's probably not for everyone."

R100

by Hitoshi Matsumoto
306

"R100 is a crazy film, full of deadpan comedy, weird references and an internal logic that convinces without making any actual sense."

Comet

by Sam Esmail
305

"Comet is quite the calling card for Esmail. It may be his first feature film, but it feels very polished and firmly directed."

Nuit Noire

by Olivier Smolders
304

"It's a real shame that the dream sequences weren't handled in a different way. It would've been the final touch to an already strong film."

The Spirit

by Frank Miller
303

"Fans of more serious adaptations will probably feel betrayed by Miller's film. Fans of Batman felt the same way with Schumacher's second Batman masterpiece. I say blah to that."

The Book of Eli

by Albert Hughes, Allen Hughes
302

"That said, The Book Of Eli is definitely one of the best things I've seen coming from Hollywood this year. It's all style and atmosphere, wonderfully executed and well acted."

Love/Exposure

by Sion Sono
301

"Don't let that hold you back though. Love Exposure is a great experience, offering lots of weirdness, fun and shock while never boring its audience."

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