Movie toplist: 726 to 750
Incredible But True
"Dupieux's absurdist comedy is on full display here, the performances are on point and while I didn't fully vibe with the styling I can't but admit that the film has its own, unique style."
The Flowers of War
"The Flowers Of War borders on sentimentality and poses as a very epic endeavor. It's Zhang's magnificent direction that erases any major critiques, turning the film into a proper epic spectacle."
Suzume
"The animation is sublime, the art style alluring, the fantasy elements are elaborate and well-executed and even though there's a lot of plot to cover, the pacing is slick."
Once Upon a Time in Shanghai
"Between the stunning cinematography, the impressive fight scenes and the fast-paced plot it's hard not to like at least some part of Once Upon a Time in Shanghai."
The Isle
"While a little rough around the edges, there are many moments of raw beauty, contrasting cruelty and tenderness in a way only Ki-duk can, creating one of the most contorted romances ever put on film."
Miss Hokusai
"Sarusuberi: Miss Hokusai is a much needed entry in the anime feature film segment. It isn't based off of a big, popular franchise."
The District
"That said, there is still plenty to enjoy here."
Eagle vs. Shark
"There's loads of quirky comedy, the delivery is dry and disorienting, but the characters have soul and even though the film keeps throwing problems their way, it never gets too heavy-handed."
Crows Zero II
"Crows Zero II will probably appeal to the people who liked the first film and can bear a second, almost identical, serving."
Vengeance
"A very solid film in all departments, allowing you to sink back into your couch and let the film drift over you like a warm, dark blanket."
The City of Lost Souls
"It doesn't ruin a film like The City of Lost Souls, but it does take away part of the appeal. There's still plenty of fun to be had with this film though."
Black Hawk Down
"Black Hawk Down is dense, chaotic and exhausting, fueled by strong camera work, slick editing and perfect pacing."
Swallowtail Butterfly
"An ambitious, raw, vibrant and energetic gem, sporting fine cinematography, a great soundtrack and some stand-out performances that all help to give birth to a unique universe."
Vibrator
"It's not an audiovisual wonder, and it may skip over some expectations of the road movie genre, but the characters are appealing and layered, while the performances are beyond stellar."
Inugami
"Inugami offers a unique trip through Japanese folklore, serving rural mysticism and respect for tradition with fine cinematography, a beautiful score and solid performances."
Birds Without Names
"A powerhouse performance by Yu Aoi, some rather stylish visuals and a highly atmospheric soundtrack make this a standout entry that highlights Shiraishi's talents."
Kai Doh Maru
"Kai Doh Maru will not deliver a tight story or well-developed characters, but if you appreciate a unique art style, moody atmosphere and technical experimentation there's plenty to look forward to."
Crows Explode
"Toyoda made an impeccable sequel to Miike's first two films."
The Egoists
"Keibetsu turns out to be another strong addition to Hiroki's oeuvre. It's not his best film to date, but it's nice to see him try out new stuff, even when it's not all that radical."
A Chinese Ghost Story III
"Built on quirky fantasy elements, lots of visual flair, a fun vibe and a light narrative. And if something doesn't work, the insane pacing makes sure you won't remember it for long."
Nightfall
"If you're familiar with the genre, don't expect any surprises."
L'Amant
"The subject is taboo and Hiroki's approach is unflinching, yet the result is a subtle, nuanced and touching drama that well exceeded any expectations I had up front."
Flux Gourmet
"Flux Gourmet looks great, sports an awesome soundtrack and insane sound design, the cast is great and the mix of self-deprecating comedy feels like a breath of fresh air."
Inexorable
"The plot is kept pretty basic, but the performances are superb, the cinematography is polished and the score is on point, resulting in prime edge-of-your-seat cinema."
Canary
"Shiota proves himself a gifted drama director and balances cinematography, score and performances to draw the most out of the conflict between the two leads."