A frantic Lunar Year comedy that helped to kick off an endless stream of follow-ups. It's no surprise that Ko was going for a martial arts setting in this sequel, as '93 was one of the biggest years for the genre in Hong Kong. The result is a funny and entertaining comedy, but some familiarity with Hong Kong humor will definitely come in handy.
The concept is pretty much set. A bunch of ladies and gentlemen are looking for partners, there's a lot of complaining, fighting and wrong pairings, but in the end the film remains true to its title. This is not something you watch for the great plot, instead Ko puts all his money on the comedy.
The cast is perfect, with comedy veterans like Sandra Kwan, Man-Tat Ng and Raymond Wong doing their usual thing, and actors like Leslie Cheung, Rosamund Kwan and Teresa Mo lending some extra star quality to the film. The result is a zany, corny and hilarious mix of comedy and action that is over before you know it.
Worthy but flawed
Sammo Hung times three. Don't expect too much action though, this is a Clifton Ko flick and Hung was hired for his comedic abilities. Sadly they're not quite as good as his action skills. While not a terrible film, it's not one of Ko's highlights and will appeal to fans of Hong Kong comedy only.
Hung plays a loser who turns to gambling to make it big. He's not very successful though and quickly squanders the little money he has. His grandfather, a deceased master gambler, takes pity on him and returns as a ghost to help his grandson. While things runs smoothly for a while, it doesn't take long before their little scheme is uncovered.
Hong Kong comedy is loud and zany and Ko's films are no exception. The soundtrack is pretty bad and the direction quite sloppy, but the story is goofy enough and there are some decent jokes scattered throughout. The ending is also a bit more action-packed, which suits Hung better. Not a great film, but okay filler.
Hong Kong comedy with lots of local appeal. There isn't any martial arts to draw in international audiences, this is Hong Kong comedy at its purest. There are some funny bits, but overall it's just a lot of mediocre and predictable jokes. Luckily the pacing is okay and the film doesn't last too long, but great it ain't.
A surprisingly decent sequel. I'm not a big fan of the Happy Ghost series, and this second entries has its fair share of flaws. But where the first and third film were actively annoying, this one has a basic charm that easily carries it from start to finish. It's certainly not Ko's best work, but it's perfectly decent filler.
The ghost is back, now reincarnated into the body of a high school teacher. When he is assigned a new class, he has his work cut out for him. The kids are unruly and their favorite pastime is messing with the teacher. Luckily, he has a couple of tricks up his sleeve that can help him outwit his students.
The film is little more than a constant battle between teacher and students, that said it's not all snide and pestering. Performances are decent, though for a comedy, most actors do lack comic timing. The solid pacing and light atmosphere carry this one through, not bad if you're looking for some HK comedy filler.
Clifton Ko is capable of delivering a decent comedy once in a while, but drama has never been his strong point. It's not really a big surprise then that The Mad Phoenix, a lengthy biography about a talented but deviant Chinese opera writer, doesn't come across as a very capable film.
Kiang Yu-Kou's intellect is apparent even at a very young age, but his arrogance doesn't make him very popular. He spends his time watching Chinese opera and even tries his hand at writing one himself, but his blossoming career is cut short when the Japanese invade Shanghai and the war starts.
The film's a bit oldskool for a '97 Hong Kong project but fails to revive its glory of just half a decade ago. Performances are weak, the cinematography is a little disappointing and overall the project feels rather cheap. Might be better for people who are more acquainted with the subject, though they might be bothered by Ko's inability to fully suppress his comedy background. Not great.
A pretty typical, messy Clifton Ko comedy. The plot is pretty nonsensical and there's a very real chance that if you blink, you may lose track of what exactly is going on. Since we're dealing with a core comedy though, that's hardly a problem. What is a problem is the broader lack of originality and surprise, needed to make a film like this work.
When Benny doesn't come home from school one day, his mom is worried something might have happened to him. Benny' s dad isn't a big help, so his mom turns to two ex boyfriends to help her locate her son. She tells both the guys they are Benny's father, hoping this will convince them to join her quest.
Ko delivers a somewhat kooky comedy that is never quite a fun as its premise suggests. The performances are overstated but not really funny, the crime elements feel out of place, the functional look isn't charming at all and few jokes land. Like most Hong Kong comedies, pacing and runtime are redeeming factors, but Ko made better films than this one.
Clifton Ko makes a swindler comedy. A popular niche in Hong Kong that yielded some entertaining films, but Ko's attempt is pretty bland. The usual mix of genres (comedy, crime and action) is mostly absent and Ko turns this into a full-blown comedy. The problem is that the film is hardly ever funny.
Performances aren't up to par. There are some familiar faces here, but most of them fail to land their jokes. The soundtrack is absolutely dreadful and feels like an afterthought, while the film itself looks like something out of the 80s. It all feels very rushed and put together without putting too much thought into it.
It's a little odd because Ko is capable of making good comedies. Without the proper actors, a decent script and the necessary funding though, it seems he can't perform miracles. At least the pacing is decent and the film constantly propels itself forward, but unless you're absolutely starved for a Hong Kong comedy, I can't really recommend this.
Clifton Ko is one of Hong Kong's comedy legends, but most of his films have little international appeal. Mr. Coconut is such a film. Though presented as a comedy, Michael Hui and Raymond Wong really aren't all that funny the without solid comedians doing the heavy lifting, Ko lacks the skills to make something of this film.
For a comedy, way too much attention goes to the plot, which isn't all that interesting to begin with. The story about a country bumpkin who ends up in the big city isn't exactly new, and Mr. Coconut fails to add anything substantial to the many films that came before.
There's a lot of nervous banter, characters being loud and actors overacting, but it never amounts to anything funny. I'm really not surprised these films never made it big outside of Hong Kong. Ko is very hit-and-miss, if you want to make an educated guess before picking one of his films, it's probably best to just check whether you can stand the cast.
A typical but underperforming Clifton Ko comedy. The titular character may be an actual ghost, but don't expect any serious horror elements here. Happy Ghost (what's in a name) is a full-blown romantic comedy. It's not quite as crazy as I'd hoped, and when Ko doesn't go full in on the comedy his films tend to be a bit bland.
A group of young girls run into a ghost on a camping trip. Lucky for them it's a friendly ghost, who decides to help them with their everyday trials and tribulations. That means school dances, exams, bullying and of course, boys. Not really the most inspired plot and Ko tackles it with a straight face, which wasn't the best of ideas.
Performances are poor, the structure is rather fragmented and the wayward drama feels unnecessary. The film is fun for a while (the first 30 minutes or so), after that it becomes dull and repetitive. A somewhat disappointing Ko that needed to be a lot crazier to be actually funny. Quite the dud.