Movie top list: 751 to 775

"Dante Lam finally delivers a film that mixes enjoyable, adrenaline-inducing action coupled with a more stylish and classy exterior."

"Cinematography, score and acting all play their part in the portrayal of the rugged and uninviting setting that serves as a living and breathing backdrop for Temujin's rise to power."

"A self-written, self-directed romance that feels quite familiar and comfortable, but has one major selling point. From start to finish, the film looks drop-dead gorgeous."

"With two spirited actresses, a fun and progressively more over-the-top script, nifty dark comedy and a very economic runtime, 2LDK is a film that made me grin from start to finish."

"A loveable, stylish take on Pan-Asian romance cinema, sporting a great cast, a pleasant score, and cozy cinematography, all in support of some heartwarming moments."

"It's not a wildly original film but it introduces enough elements to differentiate itself from other Japanese dramas while keeping the usual traits firmly in place."

"A very stylish, lovingly crafted romance that carries Jeunet's signature, offers quality in every department and should appeal to a broad audience without feeling too generic or dumbed-down."

"Hidden Man is an insanely entertaining, clever, tongue in cheek revenge flick that features a stellar cast, stylish visuals and some very solid action sequences."

"A film for people like me, who don't mind arthouse aesthetics, but prefer them in a more contemporary setting, with a tiny bit of genre influences on the side."

"Japan's animation anthologies tend to bring together the best in the genre while their live-action counterparts are more concerned with finding new talent."

"A powerhouse performance by Yu Aoi, some rather stylish visuals and a highly atmospheric soundtrack make this a standout entry that highlights Shiraishi's talents."

"An incredibly capable film that doesn't just copy what came before, but builds upon the foundations of the Japanese drama and adds some novel components."

"Samaritan Girl is the perfect combination of sweet and sour. A beautiful drama with some raw edges that thrives on a sublime score and killer central performances."

"If you're looking for a quality martial arts epic, look no further because this film has everything to quench your thirst."

"Dupieux's absurdist comedy is on full display here, the performances are on point and while I didn't fully vibe with the styling I can't but admit that the film has its own, unique style."

"It's a vile, gritty and hellish descent (or rise if you will) into a fear-inducing concrete structure, providing plenty of chills and uneasy moments that belong up there with the best"

"It looks stylish, boasts a fun soundtrack and delivers a quirky range of gangsters, ticking all the boxes that makes this niche great. A fine blend of crime and comedy, nothing more, nothing less."

"Leo Bill's outstanding performance, the feverish middle part with its manic editing and sped-up soundtrack, and the barren, grim atmosphere all add up to the unique and dark experience"

"The question remains if Baird could manage on his own, without the help of Welsh's source material, but at least for now that doesn't really matter."

"With the help of a perfect build-up, some solid performances, and polished cinematography, Kitamura delivers a fun and thrilling genre exercise that entertains from start to finish."

"The styling is lush, the action scenes are dynamic and well over-the-top, the CG doesn't distract and there's enough intrigue for those who want something besides the action."

"Nasu is a great seasonal film. Its summer vibe is tangible, it coincides with the Vuelta and it gives one of the best depictions of cycling ever caught on (fictional) film, let alone animation."

"The lush cinematography, the moody setting, and the hyper-focus on what makes a good action thriller tick make this a condensed bundle of genre fun."

"Exte: Hair Extensions might feel like his most commercial film to date, but that is mostly a disguise. It's a fun, crazy and surprisingly eerie film."

"While it's probably best Takeuchi stops the series here, this second film was anything but redundant."