A true Hong Kong director. Proficient in almost every genre, Lau can handle big budgets and lofty star power, but he rarely rises above himself to make a true stand-out masterpiece. Even so, many of his films are guaranteed fun.
The good stuff
The Legend of Chen Zhen
Great production values, some slick action scenes and a nice cast turn this film into an enjoyable little blockbuster, which can be refreshing in itself from time to time.
Infernal Affairs 3: End Inferno
Solid pieces
The Founding of an Army
Revenge of the Green Dragons
The Guillotines
Infernal Affairs II
Born to Be King
A Man Called Hero
The Storm Riders
Young and Dangerous - The Prequel
Young and Dangerous V
Young and Dangerous 2
The inoffensive
Kung Fu Monster
Low on kung fu and monsters. Lau's latest is a historic fantasy epic with strong comedy beats. The kung fu is inevitable but low-key, it's mostly big budget fantasy combined with a cuddly but deadly monster. Expensive blockbuster entertainment, not high quality cinema. It's perfectly acceptable filler though, just don't expect too much from it.
A Beautiful Life
Confession of Pain
1:99 Shorts
Commissioned anthology that was made to lift the spirit of Hong Kong during the SARS epidemic. The who's who of Hong Kong cinema participated, but the result is a little uneven. Not too surprising considering the exterior motives behind this anthology, and there are a couple of worthwhile entries, but overall it's probably best to lower your expectations when watching this.
Infernal Affairs
Bullets of Love
The Avenging Fist
Young and Dangerous IV
Young and Dangerous
Young and Dangerous 3
Lover of the Last Empress
Mean Street Story
Ghost Lantern
The Ultimate Vampire
Worthy but flawed
Look for a Star
The Triangle
Women from Mars
The Legend of Speed
Best of the Best
Straightforward sequel to Gordon Chan's Final Option. Lau delivers a decent but unremarkable Hong Kong police thriller that should feel very familiar to fans of the genre. The action is solid, the drama not so much, the overall finish mediocre. This is decent filler, but only for those who've already seen the myriad of better options.
Dubious filler
To Live and Die in Tsimshatsui
Jing Wong introducing Andrew Lau. Say about Wong what you will, he helped a lot of important people in Hong Kong make inroads into the movie industry. Wong rarely did it with good films, then again it is quite normal in Hong Kong to learn the trade director some simple genre work.
That's pretty much what you're getting here. A very plain story about an undercover cop who starts to doubt his loyalty to his job. It's all pretty cliché, Jacky Cheung isn't really the man for the job either, but it goes through all the motions and it's clear that Lau took a few pointers from this film.
There are a few decent action scenes and some moody moments, I'm pretty sure core genre fans probably won't be disappointed by this film either, it's just that Hong Kong/Andrew Lau made way better action thrillers. To Live and Die in Tsimshatsui is decent but generic genre work, nothing more, nothing less.
Plain forgettable
The Captain
A very classic, bombastic and overly sentimental thriller about a captain steering his airplane to safety. There are a few scenes that are effective in raising the tension, but they are few and far between. The rest is way too overdone and cheesy to make any kind of positive impression. A very disappointing Lau film, he can do so much better.
Dance of a Dream
Rhythm of Destiny
Against All
Big nopes
Chinese Doctors
Poor Lau. He used to be one of the leading figures in Hong Kong's sprawling blockbuster scene, nowadays, he's putting out unseemly and schmaltzy propaganda that's rivaling even the worst of Hollywood cinema. Chinese Doctors is barely a film, instead you get a ridiculously colored retelling of the beginning of the COVID-19 pandemic in Wuhan.
Unless you've been living in a cave for the past two years, you're probably already familiar with the plot, even when this film isn't very interested in giving a proper, historically correct recount of the events. Early 2020 the corona virus suddenly hits Wuhan, a state of emergency is declared, and the hospitals do their very best to get a grip on the pandemic.
There's hardly a coherent plot, characters merely exist to symbolize the Chinese spirit, the way China handled the beginning of the pandemic is described as some kind of incredible success story and there's not a single ounce of critique or self-reflection. A film like this is really in bad taste, I generally don't care too much about a little extra heroism in films, but this was just utterly insane and completely tone-deaf.
The Wesley's Mysterious File
Raped by an Angel
