Chen is a very competent fifth generation director who handles both rural dramas and big fantasy epics with deceptive ease. One of the few who survived the big millennial shift in China, resulting in a rich, varied and satisfactory oeuvre.
Movies
Kaige Chen builds upon his previous film and delivers a magnificent fantasy/mystery. The plot is laid out step by step, progressing calmly and deliberately, but it's the visuals that blew me away. The shoddy CG is kept to a minimum this time around, the rest is simply eye-wateringly beautiful.
Monk Comes Down the Mountain is above all a very amusing film. Chen made a light-hearted, fun and playful little romp, which rises above itself thanks to its tremendous production value.
So, China found out that people love a good war flick. In recent years, there's been a notable rise of blockbuster war films, with big-name directors tied to them. The Battle of Lake Changing did even better and tied no less than three of the biggest directors in China to its production, just to manage its scope. You can't escape propaganda in a film like this, and if that triggers you, it's probably best to ignore this film altogether. If on the other hand you just see good guys smashing up bad guys, the film certainly delivers in spades. The scenes with the tank in the little village are superb, the rest of the action is on point too, but three hours is a little much. It's not a great film, certainly not up to the level of the names attached, but I had fun with it.Read all
There's a lot of flag-waving and chest-thumping going on here, but look past that and you'll find a decent anthology celebrating the achievements of the little people, helmed by some of China's prime directors. It was a little too sentimental and overdone in places, but it wasn't as terrible as I had initially feared it would be.
Chacun Son Cinéma
A nice and solemn little drama about a teacher moving to a small mountain commune in order to tutor the local kids. The pacing is rather slow, but the setting is beautiful, the cinematography is on point and the actors do a solid job. The token social critique isn't very subtle, but the film had enough other qualities to keep me engaged.
More Chinese war propaganda. The Battle at Lake Changjin must've been quite the success, or this endeavor was simply so huge that they figured a second film would be necessary to recoup the effort. If you're looking for 150 minutes of action and sentimentality, Hark, Lam and Chen have you covered. The action is pretty spectacular, but it does get quite messy, and the film doesn't really let up. And when it does stop, it's only to make room for some sentimental drama. It's a shame, as these directors are capable of making way better films. Let's just hope they're not turning this into a trilogy.Read all
A decent but very predictable drama. Performances are all over the place, the plot isn't all that interesting and characters remain quite stereotypical. It's not a terrible film though and Chen's baseline quality shines through from time to time, but I expected more from this film. Decent filler, nothing more.
Kaige Chen's latest blockbuster is exactly what you'd expect from a contemporary Chinese war film. It's blatant and overly long propaganda, masked by some expensive and chaotic war scenes. I wish he'd return to doing expensive genre flicks, but it seems Chen has other priorities right now. Apparently, this is just the first in a trilogy of films, though I hope the other parts are handled by different directors. This material is just way too cheesy for someone with Chen's credits. Apart from some action-filled battlefield scenes, it's a barrage of bad CG, queasy propaganda, and an excessive runtime. As a plain war flick, it's kind of decent though.Read all
Kaige Chen is a director whose career got off to a rough start. Part of China's 5th Generation, his early work lacks the finesse of fellow director Yimou Zhang and is easily categorized as a bland and depressing arthouse drama. Yellow Earth is another film about the Chinese revolutionaries, full of poverty-stricken rural vistas and shrill Chinese folk songs. Yellow Earth is a widely celebrated film of course, everyone in the West loves it when China portrays itself as a nation full of country bumpkins who are trailing at least one century behind Western civilization. I've grown tired of these films and without the stylistic prowess of his contemporaries, there's just very little here for me. Performances are mediocre, the soundtrack is a struggle and the landscape photography isn't as nice as it should've been. The entire film ends up being a test of patience, with only a handful moments that break free from its depressing reigns. At least it's not too long, but I prefer Chen's more recent output.Read all
