![](/thumbs/img/directors/450xauto/roman-polanski.webp)
Contested director, whose private life may be even more famous than his films. That's not a knock on the quality of his oeuvre, which contains a number of true classics that are impossible to pass by for any passionate cinephile.
Movies
![The Ninth Gate poster](/thumbs/img/posters/300xauto/ninth-gate.webp)
![Carnage poster](/thumbs/img/posters/300xauto/carnage.webp)
Chacun Son Cinéma
![Chacun Son Cinéma poster](/thumbs/img/posters/300xauto/chacun-cinema.webp)
![The Ghost Writer poster](/thumbs/img/posters/300xauto/ghost-writer.webp)
![Bitter Moon poster](/thumbs/img/posters/300xauto/bitter-moon.webp)
A very strange Polanski. I still can't quite grasp what he was trying to accomplish with this film. In a way Bitter Moon tries very hard to be sensual and dark, at the same time it's so incredibly cheesy and daft that it was hard to take serious. That may be by design, somehow I don't really buy that though. An uptight Hugh Grant meets a rather unique couple on a cruise. A slightly older man in a wheelchair is very keen on informing him on how he met his younger, quite dashing wife. So keen in fact that he keeps tricking Grant in listening to his story, where he spares no details, not even when it comes to his sexual affairs. The film is relatively explicit, but Polanski fails terribly at the sensual scenes. It's almost a mockery, I just couldn't discover any explicit winks or nods, so I assume it was meant to be truly steamy. That kills the film, which is a shame as there was quite a lot of positive energy there to make something out of it.Read all
![Knife in the Water poster](/thumbs/img/posters/300xauto/knife-water.webp)
Polanski's first feature film. It's a bit clumsy and unsubtle, a conceptual film where the characters are extremely one-dimensional, and the narrative is purely functional. Everything is shaped around a rather simple premise: the battle between a young free spirit who has nothing and a frustrated older man who has everything. Andrzej and Krystyna are on their way to spend the weekend on their boat. On the way there they almost run into a young hitchhiker. They decide to ask the young man along on their trip, but it doesn't take long before tensions start to flare up between the two men, with Krystyna stuck in the middle. The black and white cinematography feels a bit obligatory, the soundtrack is tacked on, and the performances are pretty static. I wasn't too interested in the premise of the film either, but Polanski does know how to build up tension and because the film is relatively short, it was still somewhat entertaining.Read all
![The Pianist poster](/thumbs/img/posters/300xauto/the-pianist.webp)
![The Tenant poster](/thumbs/img/posters/300xauto/tenant-1976.webp)
A classic Polanski featuring Polanksi. I'm not sure if it was smart of Polanski to play the lead, but at least it was pretty gutsy. I'm not the biggest fan of his older thrillers though. People tend to describe them as pretty weird and mind-bending, but I find them a bit tepid and underwhelming. A young man arrives in Paris and rents out an apartment. He learns that the previous tenant tried to commit suicide and when he visits her in the hospital, he encounters the woman's best friend and he hooks up with her. From that moment on, the man starts to spiral and sees threats everywhere he goes. This could've been a fun mind-bender, but Polanski's direction feels a bit too safe and restrained. There are moments where things get more interesting, but rather than build on them, the film slows down immediately after, never going full out. I didn't like Polanski's acting either, but at least there are a handful of memorable scenes. That's not enough for a 2-hour film though.Read all
![Repulsion poster](/thumbs/img/posters/300xauto/repulsion.webp)
![Chinatown poster](/thumbs/img/posters/300xauto/chinatown.webp)
![Rosemary's Baby poster](/thumbs/img/posters/300xauto/rosemarys-baby.webp)