Movies
Hou's finest hour. It's been a while since I last watched this film, and it's almost inconceivable that this used to be one of the first Asian movies to be released on DVD here. I've loved this one since the first time I watched it, so I wasn't going to squander the chance to see it on the big screen. Almost 25 years later, it's still an absolute beauty. Sure enough, casting Shu Qi in the lead is a bit of a cheat code, but the gentle pacing, the superb score, and the lovely locations all add to the entrancing atmosphere. The soundtrack does deserve a mention, as it's still rare to see proper techno/rave music in movies. I also found out this is probably where I learned about Yubari and why I'd love to visit someday. A gentle masterpiece that's still as classy as can be.Read all
The acting is very natural, Hou's camera is delicate and loving and the score is spot on. Three Times is a beautiful film, casting its view on the different aspects of love and romance.
Café Lumière held up pretty well, which isn't even that surprising knowing its appeal lies in the mundane.
10+10
Hou's deliberately slow pacing is nice, and there are some impressive scenes here. But overall, it didn't feel quite as special as it used to. I watched this film early on in my quest to see more Asian cinema, 30 years later it's all a little too familiar. And some lesser choices cost the film. The performances are strong though and Hou's transportation scenes are as impressive as ever. The opening scene on the train is just magical. The cinematography is pleasant but something I've grown accustomed to, the soundtrack is a little different (rock/metal influences) but unfitting. I still enjoyed watching this again, but the film lost some of its shine along the way.Read all
Chacun Son Cinéma
