Log: week 31 / 2022

Naru is a young Comanche girl who wants to be a hunter like the boys. She finally gets her chance when a lion threatens her tribe, but she messes things up. Little do the Comanche know that a more fearsome hunter has landed on Earth, and Naru might be the only one capable of stopping him.

The setting isn't too bad, but the intro is way too long. There are other side stories (like the French hunters) that get into the way of the fun, but the biggest problem is that Naru never presents herself as an actual threat to the Predator. It's not a terrible film, just a little flat and unexciting. This franchise deserves better.

To brighten up her act, Kiki is given a leopard to take with her on stage. A jealous rival messes things up for her and manages to scare the animal away. In the following days, women keep getting attacked at night, but some people suspect it's not the animal that is wreaking havoc.

The animal encounters aren't that exciting, the dialogues feel endless and the performances are inconsequential. There are some moodier scenes, with some decent black and white cinematography, but it's not enough to lift this film above the swamp of forgettable classics. Not a film I'll remember fondly.

Some kids are left stranded on a remote island after their boat hit a cliff. They find a hotel, but nobody seems to be present. While they get comfortable inside, strange things start happening, and it becomes clear the place is haunted. Escaping the island will prove a lot harder than expected.

The performances are bad and the effects are cheap, but there's a lovely "anything could happen" vibe that makes this worth a watch. The horror and mystery elements are pretty creative, the pacing is high and there's something new and unexpected happening every five minutes or so. Not great, but pretty fun.

After Ray's long-term girlfriend cheated on him, he hasn't been feeling all that well. Rather than deal with the grief, he has tried to move on without looking back, but that hasn't been working out for him. Ever since he's been living his life half-assed, and none of the people he talks to seem able to get through to him.

What could have been the premise of a rather dark and sullen drama is actually quite light and breezy. I wouldn't go as far as to call it a comedy, but getting to hang out with Ray is pretty chill. The film does dig a little deeper at times, though I must say nothing much left a big impression on me. Just a pleasant little road trip in a nice setting, with pleasantly quirky characters.

A middle-class family gets word that an unfamiliar uncle is planning to visit them. They have never met the man, but his invitation intrigues them and they don't dare to deny him, even when they're not certain he's an actual uncle. When he arrives, they do their best to find out his true identity.

The cinematography is an absolute eyesore, the performances are uninviting and while the premise sounds somewhat intriguing, the film gets completely stuck in it. The pacing is slow and with about 120 minutes on the clock, this became quite a challenge to finish. I think I'd rather go back to Ray's older films.

Two women are paying an exorcist to take them on a tour through a haunted hospital. Both have lost loved ones at the place, the exorcist has promised them an encounter with their ghosts. But then a demon shows up and takes possession of the exorcist, leaving the others stranded inside.

The setting is pretty nice, there are some decent haunts, but it all feels very random and poorly connected. It's just a string of haunted hospital clichés with little in between to tie everything together. The CG isn't too great either, Taiwan can do better when it comes to horror cinema.

Even though Dastan's wife is about to give birth, he goes away for the weekend with his friends. On their little fishing trip, they run into a group of gangsters, inadvertently witnessing a murder. Dastan and his friends are chased down by the gangsters, but there's a more dangerous man eyeing the two groups of men.

The film looks fine, the performances are okay and the plot is pretty quirky. The biggest problem is that the comedy doesn't quite work as well as it should. The timing is a little off sometimes, and it's just not as edgy as it wants to be. It's still solid filler, from a country that isn't quite known for producing explicit genre films, so it's definitely worth a watch.

Lena is a young mother who works in Macau, hoping to support her daughter who remained in Mainland China. She works two jobs, but even that isn't quite enough to provide for her family. A lonely taxi driver takes pity on her and helps her out from time to time. The two grow fond of each other, but a secret from Lena's past is coming back to haunt her.

The cinematography is nice, with lots of colorful nighttime footage, the performances are great and the chemistry between the leads is more than sufficient. The drama is pretty predictable though and a somewhat cheap mid-credits scene does its best to ruin an otherwise fitting ending. It's a good film, Chan just needs to find a way to better differentiate herself from the rest.

Daniel is hosting the funeral of his father, but he isn't really prepared for the chaos that is about to ensue. His brother is visiting from the US, some of the guests are doped up, his wife is badgering him for an apartment and a strange man is eyeing him from the corner. He shares a secret with Daniel's father that Daniel doesn't want the rest of the family to find out.

The film remains quite muted and prim, even when the situation really gets out of hand. It's that particular contrast that adds a little spice and pepper to the comedy. The cast is great, the pacing solid, and the finale pleasantly chaotic. Not the greatest comedy I've ever seen, but a pretty delightful film regardless.

In a small seaside village, Aya and Yuki are two good friends. Their friendship is rudely interrupted when Aya breaks the news that she will be moving away. The next day, Yuki receives the news that Aya died in an accident. Aya's death causes ripples through Yuki's class, with rumors of an apparent suicide doing the rounds.

The rural setting is magnificent, the performances are strong and the drama is handled with precision and respect. The high school problems aren't that original though, neither is the way the film explores the loss of a classmate. Ishibashi does show a lot of promise and I'll be sure to look for future films because the talent is clearly there. A quality drama, but no masterpiece.

Arthur is a young, rebellious guy who wants to live life without too much remorse. He ends up dating two women at the same time. One is a married woman who becomes pregnant with his child, the other a young, decent girl who aims to live a proper life. Arthur will have to make some choices, whether he wants to or not.

The black and white cinematography feels a bit lazy, the drama is basic and it takes quite a while before the film finally finds its footing. The lead character is somewhat more interesting compared to similar films, but it isn't enough to make me care about the challenges he faces. Pretty tepid and forgettable, but not the worst of its kind.

After Anton dies, the school is in disarray. Ank has taken over his duties, but she still has to teach classes, and COVID-19 has all the parents on edge. The call for modernization grows stronger and when a new manager takes over, the old teacher will have no choice but to follow suit.

Most of the familiar characters make a return, the themes are actually somewhat interesting (the fearmongering that seems to have taken over Western society is heavily critiqued) and the cringe comedy is still present. The drama felt a little off and the film could've been a little snappier, but other than that very amusing.

Once again, a video is submitted to the TV crew now famous for exploring the supernatural. Some girls are breaking into their old school, trying to find out if the legend of Hanako has any truth to it. They find more than they bargained for, and with a video showing a clear apparition, they turn to the crew for help.

The ghost videos are pretty familiar territory, but the setting is cool and the second half of the film is quite different from what I expected it to be. Don't go in hoping for anything too original of course, but at this point, anything that deviates from the norm is a welcome diversion. It's solid horror entertainment, short and to the point, perfect filler in other words.

Horigai is on the verge of graduating. She already has a job lined up, but she doesn't feel ready to face the adult world. She lacks confidence, she's still a virgin and when she finally hooks up with a boy, he commits suicide soon after. But then she becomes friends with Inogi, a younger girl with a troubled past.

The performances are strong, the pacing is slow but deliberate and the onscreen chemistry between the actors is excellent. It's really nice to see how Horigai and Inogi find comfort in each other's company, especially when they open up to each other. The presentation is a little flat, other than that a very worthwhile drama.

Roy is a car mechanic with a passion for fast cars. When he has his daughter over, she sabotages his car during the finale of a street race. He is taunted by the winner of the race and accepts a 2000km challenge. He has no other choice than to take his daughter with him, a journey that is sure to strengthen their bond.

The characters are pretty funny, the film doesn't take itself too seriously and the racing scenes, though few, are pretty decent. The pacing and runtime are perfect too, but the film feels a bit safe and unadventurous. It's pretty decent filler, but not really all that memorable.

Haruto is a wannabe photographer, but he doesn't have the confidence to chase his dream. He falls in love with Misaki, a hairdresser, who only wants to date him if he takes his passion seriously. The two become an item, but then Misaki is diagnosed with a terrible illness. Ashamed, she breaks off the relationship.

What starts off as a sweet romance quickly turns into a hefty drama with no chance of a happy ending in sight. Performances are okay, the cinematography is slick and the soundtrack is passable, it's just that I don't really care much for these types of films. It's all a bit too sentimental to be truly powerful. Not the worst of its kind though.

Trinity is a minor magazine of a publisher that is poised to become the victim of a power struggle. That is until Hayami is hired to take over the magazine. With his wit, charm, and novel ideas, he adds a new flair to the workplace. He isn't well-liked by the other higher-ups in the company, but he's a pro at navigating corporate pitfalls.

A subject like this is always going to be a little dry, even when the lead walks around with a sly smirk on his face for half the film. Hayami's character is fun and it's pleasant to see him barge through Japan's rigid corporate structures, but it doesn't really make for riveting cinema. It's a solid film, just not at the level of other Yoshida projects.

Train harassment is a pretty big issue in Japan, so it's no surprise to see some pinku films dedicated to the phenomenon. Somewhat surprisingly though, this film is actually about female show wrestling, with a bigger focus on the girls in the ring getting undressed. Why? I'm not entirely sure.

The plot is negligible, the performances are weak, and the pinku scenes are extremely unsexy. There's really no reason to bother with films like these unless you're a completist and you're interested in getting the full Zeze experience. I plead guilty, others can safely ignore this film.

Two loner cops, with opposite values, are assigned to each other to solve a case. Ashburn loves to follow the rules and relies on her IQ to solve cases, Mullins does whatever to crack a case open and uses her street smarts to get by. The two hate each other at first, but as they get close to the drug lord they're supposed to catch, they begin to appreciate each other's qualities.

Most of the comedy comes from McCarthy, with Bullock being pretty apt at playing the boring cop. The jokes are never really that funny, and two hours is a bit much for the basic setup. The decent pacing and the commitment to the comedy make it a passable film, just keep your expectations to a minimum.