Consider this Cheh Chang's struggle for relevance. With the appeal of the Shaw Bros martial arts films dwindling, people like Chang finally had to reinvent themselves. Heaven and Hell is a mix of fantasy, martial arts and even some musical elements, but it takes a while to come into its own.
Five martial arts experts are unjustly thrown into hell. Not willing to give up, they struggle through the various levels of hell in order to reach Buddha. Once there, they plead to be resurrected. Buddha grants them their wish, but each of them has to fight and conquer the men who got them thrown into hell.
The hell scenes are the obvious stand-outs, though it's clear Chang isn't quite as gifted as Chor. The action is decent but not that remarkable, the musical bits early on feel superfluous. Luckily the film gets better as time passes and the second half is pretty fun, sporting some rather atypical Shaw Bros scenes.
One of Chang's lighter martial arts films. Quite a lot of acrobatics and demonstrations in this film, with much of the actual fighting being saved for the lengthy finale. A true Shaw Bros production and a typical film for Chang, which makes it a perfect entry-level film for people not yet familiar with his work. Good fun.
An entertaining and action-packed Cheh Chang film, but when you're already familiar with his work you won't find anything new here. It's always nice to see Chang do what he's good at, on the other hand when you see too many of these films in a short time span, it can get a little too repetitive.
The Magnificent Ruffians is a somewhat inconspicuous entry in Chang's oeuvre. It plays like a sort of blueprint of Chang's work, sporting a rather basic setup, followed by a bunch of training scenes and pre-finale brawls that lead up to a long and excessive showdown at the end of the film.
Performances are a little weaker than usually the case, the variety in fight choreographies makes up for that though. At 105 minutes, the film is a bit too long (these Shaw Bros films work best when they stay within the 90-minute limit), but overall this is another fun and entertaining film that is sure to appeal to any Shaw Bros fans out there.
A fine Cheh Chang film. Chang does what he knows best and delivers a film with plenty of martial arts acrobatics. The Shaolin Avengers is exactly the type of film Chang got famous for, and with good reason. Martial arts is simply what Chang excels in, this film offers yet more proof of that.
Recently I've been watching some lesser known Chang films, films that often found Chang dabbling in different genres and settings. It's nice to return to his classic martial arts fare after that, because the different in quality is significant. There's a little drama here, but the majority of the film is spent on action scenes.
It's not just the classic martial arts stuff either, the ending has a bona fide pole fight, a personal favorite of mine. It's scenes like these that elevate this above about the countless other Shaw Bros offerings. While not a truly exceptional or spectacular film, The Shaolin Avengers is solid fun that is sure to appeal to fans of the Shaw Bros offerings.
Happy to see another bona fide, vintage Cheh Chang martial arts flick from the seemingly endless Shaw Bros library. This is what Chang does best. Rebellion, revenge, historic settings and people kicking and punching each other. There's nothing original or surprising here, but Shaw Bros/martial arts fans are sure to have a blast with this one.
A very solid entry in Chang's seemingly endless oeuvre. It's one of his more action-oriented martial arts epics, starting off with a major (and quite violent) battle sequence and never really slowing down after that. It's what Chang does best and it's no surprise then this turned out to be one of his better films.
Chieh is a young recruit who messes up when he kills the boss of his own gang. He is banished from the group and leaves his village. When he returns one year later, he learns that two rivaling gangs have joined forces. Once they're made aware that Chieh is back, he becomes their main target.
It's a bit bloodier compared to most other Shaw Bros releases, apart from that it's a very standard release. The only issue I had is with the runtime, which is a bit excessive for a simple film like this. Otherwise, this is another quality Cheh Chang film that is sure to please his fans, though it won't win him any new ones.
A pretty kick-ass revenge flick. Chang's more contemporary films are usually among his weaker ones, but this one is clearly an exception to the rule. Just a smidgen too slow in places, but the action more than makes up for it. Some very lengthy and solid action scenes show why Chang became one of the Shaw Bros' leading men. Good fun.
More one-armed swordsman fun. I'm not the biggest fan of the series, there's a bit too much overt melodrama in them, but this is probably the best of the bunch thanks to some nice variety in styles and enemies. It's still far from Cheh Chang's best work, but at least I didn't get bored.
The one-armed swordsman has left the world of martial arts to live a quiet life with this wife, but of course he can't escape his past. It doesn't take long before he is invited to a tournament organized by a shady clan boss. All the other clans in the vicinity are invited too, so it's obvious the man is up to something.
There's quite a lot of action in this one, there's also quite a few different weapons that make the fights more interesting. The drama in between is rather cheesy and the plot is pretty basic, 15 minutes shorter would've been much better, but there are enough memorable moments in here to make it worth your time. Not bad.
Fine Cheh Chang film that looks surprisingly well for its age. It's a true Shaw Bros production, except for the many scenes that were shot on location. The martial arts is decent, the plot is nice enough and Chang sneaks in some pretty shots. Pretty much what you can expect from a decent SB film, only a tad more stylish.
Another early Cheh Chang flick. It's a pretty good precursor to the 70s highlights of Chang's career, a film that is already quite epic in nature, offers a fair bit of martial arts and a very typical revenge plot. It's not quite up there with his best work yet, but it's no surprise this is the path Chang would choose to pursue.
After avenging his father, Li goes into hiding. There he meets Fang, a capable martial artist who gets mixed up in a bitter fight with some goons. Li tries to stay out of Fang's affairs, but as he grows closer to Fang it becomes increasingly difficult to turn a blind eye, especially since Fang's adversaries don't care for a fair fight.
The cinematography (including the scenes shot on location) look better than Chang's later work (as is typical for the Shaw Bros productions), the fights on the other hand can still feel a little flaky. Still, Trail of the Broken Blade is an entertaining film and no doubt part of the blueprint that would lead the Shaw Bros to big success in the following decade, so well worth a watch.
Not quite Chang's first film, but this is the oldest one that is easily accessible to his fans. It's not hard to see why, as The Magnificent Trio is a perfect blueprint for the following 20 years of Shaw Bros martial arts cinema and thus a film with some historic significance. But it's also just a pretty decent film regardless.
Like other early Chang films, the direction is surprisingly solid. It's probably a mix of the inability to quickly skip through yet to be established genre clichés and the lack of pressure to deliver multiple films per year, but these older films often feel more finished and detailed than the 70s and early 80s ones.
That sounds great, but it also means the pacing is a bit slower and the martial arts scenes aren't that elaborate yet, which is kind of the reason why I like the Shaw Bros martial arts catalogue. It's the classic contradiction between good cinema and good genre cinema. That said, Chang films will still find plenty to like here.
A direct sequel to The Water Margin, a film I haven't seen yet. While I do my best to watch film franchises in the correct order, availability is somewhat of an issue with Chang's Shaw Bros output. And since most of his films are pretty basic martial arts stories anyway, I figured it wouldn't hurt much to go ahead and watch All Men Are Brothers. Turns out I was right.
A bunch of rebels are holed up in a fortified base. The emperor has sent his best men to break through their defenses, but this turns out to be quite a bit harder than expected. The rebels even manage to capture some heroes, the others devise a plan to attack the base from the inside.
There's a bunch of familiar Shaw Bros faces here, the film is pretty action-packed, and it's nice to see Chang shot quite a bit on location. In the end though, it's just another typical Shaw Bros/Chang production that doesn't do quite enough to set itself apart from the rest. Not a bad film, but not really a standout either.
Chung Sun is one of the lesser known Shaw Bros directors, even though his track record is quite impressive. Together with Cheh Chang he tackles The Bloody Escape, a rather simple but effective martial arts production that brings the goods if you're looking for a prime 70s action flick.
Hui is a member of a gang of ethical robbers. They don't kill their victims and only steal half their possessions. When the leader of the gang dies, new rules are established and their robberies are suddenly a lot more violent. Hui doesn't feel at home in the gang anymore and leaves them behind, but by doing so he made himself some new enemies.
It's not often that you see a Shaw Bros production shot on location, so that's a nice detail. Other than that, the somewhat stricter focus on action stands out, but in the end this is just another vintage Shaw Bros martial arts flick. It's fun and entertaining, not a minute too long, but it's also pretty expected and by the numbers.
This was somewhat of an oddity. A Shaw Bros anthology, featuring three martial arts stories. In some ways, it makes a lot of sense, since the directors don't need to drag out a simplistic story to make it a feature length film. On the other hand, do we really need three similar Shaw Bros films for the price of one?
The first film has a local general vying for the hand of an innkeeper, she is more interested in the mysterious stranger visiting her inn. The second film tells the story of a soldier and courtesan who can only be together when they catch a criminal, the third film is about a hero who fights a corrupt government. Nothing out of the ordinary in other words.
Anthologies are an ideal format to try out some new things, Trilogy of Swordsmanship isn't the least bit interesting in exploring that avenue. The film is little more than a trio of shortened Shaw Bros productions. It's no better or worse than a run-of-the-mill Shaw Bros production, so this one is for fans only.
Worthy but flawed
A pretty basic Cheh Chang film. Not nearly enough action to be a stand-out entry in his oeuvre, but fans of the Shaw Bros films will find that the studio's usual charm is fully present. It's short and the pacing is decent, but for an 80s film I expected a bit more. Not the worst thing he's ever done, but rather forgettable.
Run-of-the-mill martial arts flick from Chang. The action is solid, but the film is at least 15 minutes too long, not in the least because it's mostly just added dialogue. The drama is very limited and breaks up the film once too often, apart from that it's a decent but ultimately forgettable Shaw Bros production.
Cheh Chang meets the new wave. Classis Shaw Bros martial arts with additional comedy bits, that feel like they were taken from a Jackie Chan/Woo-ping Yuen film. The result is pretty decent, but not as good as its peers. It's a decent Shaw Bros film, but it can't really distinguish itself from the many (many) others.
A decent Cheh Chang film. Nothing too out of the ordinary, but Shaw Bros addicts are sure to get their fix from this film. A couple of solid martial arts fights, some light comedy and a limited runtime so there's little time to get bored. It's remarkable how many of these films Chang directed, but they provide solid entertainment so who am I to complain.
It's a mix of the old and the new, but ultimately little more than basic Cheh Chang filler. The training sequences really feel like classic Chang, but the setting is a bit more modern. Not exactly contemporary, but clearly not the rural, historical setting we usually see in the Shaw Bros films.
There's plenty of martial arts action in New Shaolin Boxers, which is always a plus. The synchronized training sequences in particular jump out, but the fights themselves are nicely choreographed too. Add to that some familiar faces and most Cheng/Shaw Bros fans will have plenty to look forward to.
The romance and bits of drama in between though are of much lower quality, and slow the film down. Like many of Chang's films, the middle part drags a little, luckily it's a short film and it doesn't take too long before the finale kicks in. A pretty typical Cheh Chang film in other words, not bad, but not all that remarkable either.
Pretty fierce film. The drama doesn't work at all and the direction is so over-the-top that it almost feels like a parody of itself. But the action scenes do stand out and there's so much energy and drive that the film did win me over in the end. Not one of Chang's best, but one of his better films in a contemporary setting.
Run-of-the-mill Cheh Chang. One of his earlier works that mixes memorable scenes with unremarkable filler. No doubt the biggest Shaw Brow/Cheh Chang fans will find exactly what they're looking for in this film, but after seeing so many Shaw Bros films already it was tough to get really excited by it.
After some back and forth at the start of the film, a group of heroes tries to infiltrate an impregnable fortress. They have a map that shows them a secret route at the backside of the fortress, but to get there there they have to cross a dangerous bridge first. Not the most elaborate plot ever, but it does the job.
It's nice that Chang shot on location, the bridge scenes in particular stand out. Performances are mediocre though and the battles aren't all that exciting. The film is quite short, still the pacing feels a little sluggish at times. There simply isn't much plot and with the action being slightly subpar, the film fails to set itself apart.
Classic Cheh Chang martial arts romp, featuring one of the studios more famed martial arts heroes. The introduction is a bit long and uneventful, but in true Shaw Bros fashion the finale makes up for that. Not really a stand-out feature in Chang's oeuvre, but martial arts fans won't be disappointed by this one.
Very run-of-the-mill Shaw Bros production. Good versus evil, a basic plot that revolves around revenge and some martial arts action to resolve everything. Shaw Bros fans should know what to expect from Cheh Chang's films, others do well to seek out more prestigious Shaw Brow directors first.
One of Cheh Chang's earliest films. They're usually a bit slower and more elaborate than his later work. That tends to translate in nicer cinematography, often featuring scenes shot in the actual outdoors. On the other hand, the stories are rarely engaging enough to support the longer runtimes, so it becomes a double-edged sword.
Nie Zheng comes from a poor family, but he performs well in school, and he's an excellent sword fighter. He wants to live a simple life with his girlfriend Xia Ying, but fate decides otherwise. His school becomes the setting for a big bloodbath, only Zheng and his best friend manage to escape. They decide to move far away, but not before bringing the one who caused the bloodbath to justice.
The cinematography is pretty stylish, performances are also well above the Shaw Bros norm. The action isn't quite as vibrant though and for a simple story like this, the 110-minute plus runtime is a bit excessive. These early Chang films are well worth exploring, even when they can be a bit long-winded.
One of the later Cheh Chang films. It shows that he was fully settled into the martial arts genre by then, probably a bit too much. Ten Tigers of Kwangtung is a decent Shaw Brow production, but also one that feels quite haphazard and repetitive, more like a best-of than an actual individual film.
When the Kwangtung Tigers kill one of Tung's family members, Tung gathers all his nephews and vows to take revenge. The Tigers are a fearsome bunch though and the only way to get to them is to separate them, which is easier said than done. To help them out, Tung calls in the help of 5 Shaolin masters.
Expect a slew of familiar Shaw Bros actors doing their usual thing. There's a lot of kicking, punching, hurling weapons at each other and some brutal murders. What there isn't much of is coherence or creativity. I'd probably like this film better if I'd seen it a bit earlier in my exploration of Chang's oeuvre, but as a 60th+ plus film it's just a bit too expected.
With all the Ne Zha hype going on in China these days, I was a little surprised to learn there was already a Shaw Brow adaptation of the story (or at least, a story featuring the Ne Zha character. It's a bit weird they didn't get Yuen Chor for the job, I guess Cheh Chang just wanted to try a little fantasy martial arts for a change.
Ne Zha is a brat with his heart in the right place. Though he teases his teachers and angers his parents, he cannot stand injustice. It's a trait that will land him in a lot of trouble. When he kills one of the dragon people (who was harassing an innocent passerby), he is forced to take responsibility and end his own life.
Ne Zha is fantasy-based martial arts, clearly not Chang's strong point. The dragons look iffy, the effects in general aren't all that great and the cinematography can't quite cover it up. The rest of the film is pretty fun though. Decently paced, some nice fights and a handful of memorable scenes, the early Eric Tsang cameo is just the icing on the cake. Amusing Shaw Bros production, but far from Chang's best work.
A middle of the road Cheh Chang film. The man has made so many films in such a short span of time, all within the same genre, that some of them are inevitably forgettable. The Iron Bodyguard is one of such films. Not that it's particularly bad or disappointing, it just doesn't excel at anything in particular.
Tan is trying to fight the corruption in the Chinese government, but they are on to him and manage to arrest him before he can do any real damage. Right before his arrest, Tan did get Wang on board, a skilled martial artist who will do his very best to keep Tan from becoming a martyr.
The Iron Bodyguard is a film with a slightly stronger focus on the narrative. There are still the usual Shaw Bros fights, but they are fewer and shorter. The story isn't all that exciting though and performances don't really stand out either. It's decent enough when you're pining for some Shaw Bros action, but only when you've seen all of their more prominent films.
Cheh Chang filler, though he got a little help from Hsueh Li Pao this time around. The plot is situated in a slightly more modern setting (at least, compared to most other Shaw Bros martial arts films), which usually doesn't pan out too well. But the film stays clear from too obvious contemporary influences, so it doesn't come off all that outdated.
Man of Iron is a sequel to The Boxer From Shantung, with Shaw Bros legend Kuan Tai Chen reprising the role of Wan. Wan has amassed a large group of followers, but he isn't the only bad boy in Shanghai. It doesn't take too long before he butts heads with some of the more established gangs. And they're not too happy with this new kid on the block.
The plot isn't too interesting, the film also takes a little too long to get going. The martial arts is decent, but not the best Chang has put on screen. But he compensates with plenty of martial arts scenes in the second half of the film. It gets a lot better from there on out, though I still wouldn't recommend this film unless you're dedicated to completing Chang's entire oeuvre.
Cheh Chang tries to bring together dance and martial arts. And as I've said a couple of times before already, whenever Chang moves away from what he's known for, it tends to end badly. There are some good fight scenes here, but the combination with the dancing is done poorly and takes away from the action.
Performances aren't great, which is a problem when the action only makes up a small part of the film. The comedy isn't all that great either and the soundtrack is just plain terrible. Lame and cheesy songs that make the film a little too ridiculous (beyond what was intended to be funny).
I think a different director could've made something better of this film, as other films have shown that there is potential in mixing martial arts and dance. But Chang simply isn't the man for the job, especially not since he was nearing the end of his career when he made this film. There is some fun to be had, but overall it's not all that great.
A film in two parts. The first part is a little slow and dull, a sluggish spy story set in a modern day martial arts setting. The 30-minute finale on the other hand is one big fight sequence that shows what Chang is best at: martial arts action. I still feel it works better in a more historic setting, but the killer here is the slow first hour.
It's not the first time I complain about a Cheh Chang film in a contemporary setting, I'm sure it won't be the last either. Though I will say, Four Riders feels a lot like heroic bloodshed avant-la-lettre, so Chang probably does deserve some credits there. Sadly the execution is pretty flat and not at all heroic.
It's almost too clean and neat, which isn't ideal for an action film. It's nice that Chang tries to incorporate some social critique for example, but it feels out of place and ends up slowing things down unnecessarily. The action scenes are decent, but nothing too spectacular and too far apart to keep the film interesting.
The bottom line is that Chang doesn't do serious very well. He's at his best when martial arts heroes are flying around while taking revenge on some illustrious bad guy. Four Riders is a film that tries to tackle a little extra, but ends up poorer for it. I wouldn't be surprised though if John Woo considers this one of his favorites.
Cheh Chang's Shaw Bros adaptation of Journey to the West is an odd little beast. Rather than turn it into a conventional film, it feels a lot more like a recorded stage play. Now, the Shaw Bros films have mostly been shot in studio settings, but it seems they didn't even bother to try and camouflage it here.
I've seen so many adaptations of this book already, but I keep running into parts of the stories I'm unfamiliar with (I guess I'll have to bite the bullet and read it myself one day). In this film, the Monkey King and the Goddess of Mercy band together to fight the child god Hung Hai-erh, a nasty little bugger.
The effects, settings and costumes are all rather low-key, which is a shame for a fantasy/adventure film. I think Yuen Chor would've been a better match for this material, but Chang tries to make the best of it. Sadly, not even the martial arts scenes look very convincing. It's a short film and the pacing is decent, it's also rather amusing to watch, but it's far from Chang's best.
Cheh Chang doing something different. In contrast with the typical Shaw Bros production, Chinatown Kid moves its actors to a more contemporary (read 70s) setting. It's clear that Chang didn't feel entirely comfortable directing this film though, as the plot is poor and the action scenes aren't good enough to compensate. One of his lesser efforts.
Hammer meet Shaw Bros. Two legendary production companies working on a single films sounds appealing, but the result is lackluster and troubled. Mediocre martial arts scenes, terrible practical effects and a dull mix of Western and Eastern mythology make this is project a failure. I'm not surprised their cooperation was short-lived.
A poor crime/thriller by Cheh Chang. The action scenes are decent but not all that noteworthy, and they are few and far between. The thriller and crime elements are poor though and tend to drag. The film is too long, has pacing issues and a cast that can't make an impression. Definitely not Chang's best work.
I sometimes complain that many of the Shaw Bros films are too much alike, the problem is that when they try to do something else, it often ends up worse than their core offerings. This contemporary brawler is pretty dull and lifeless. Without all the typical martial arts drama and the historic settings, Chang's films just aren't that good.
The one where Cheh Chang tries out kickboxing. Not really his strong point I'm afraid. It seems that he was desperately trying to branch out during the early 70s, luckily he changed his mind soon after. The plot is pretty dull, the acting quite poor and the action doesn't help to cover up any of that.
Cheh Chang trying out a different kind of action cinema. And somewhat predictably, it doesn't end well. The focus on plot kills the first part of the film, the overreliance on gunfights weakens the second part. Chang is a very solid martial arts director, but he should stick to what he knows best. This was a pretty disappointing film.
Chang trying to make it in the crime/thriller genre. There are almost no fights here, instead we get a singer who becomes a murder suspect and has to prove his innocence. Chang isn't really cut out for this material though and the film feels a little sluggish and expected. It's best to stick with his martial arts films.
An oddity directed by Cheh Chang. If you've traveled beyond Chang's wide array of martial arts films, you shouldn't be too surprised that he also directed a few musicals early on in his career. They were quite the rage in Hong Kong during the 50s/60s, so the Shaw Bros simply couldn't ignore the genre.
A crafty thief decides it's time for a career change, and becomes a suave singer. An ideal setup for combining cheesy songs with a more crime-inspired story, though the two never really mesh together. In the end the thief's past catches up with him and changing jobs will prove a lot harder than expected.
Having seen a couple of these early Hong Kong musicals, it's quite clear I'm not a fan. Luckily the songs are mostly contained to the first half of the film, which makes the second part a little easier to stomach. Cheh never reaches the heights of his martial arts films though. He took a rather bold risk with The Singing Thief, but it just didn't pay off.
This is where it all started for the infamous Cheh Chang/Shaw Bros collaboration. Don't expect a typical Chang film though, The Butterfly Chalice is a mix of musical elements (which is why they also brought in Chiu Feng Yuan) and revenge/action scenes, which don't make a lot of sense when put together.
As Yu Quan notices an old fisherman being attacked by a rude official, he jumps in and inadvertently kills the fisherman's assailant. The district officials chase Yu Quan, but with the help of the fisherman's daughter he manages to escape. To commemorate her good deed and their eternal friendship, Yu Quan gifts her a butterfly chalice.
What's nice about these older Shaw Bros film is that they're not all studio work, which generally makes for better-looking films. Chang's potential for action already shines through, but that's only a small part of the film. I'm not a big fan of Chinese opera and that really stands in the way of enjoying The Butterfly Chalice. Still, it's interesting to see how Chang got started.
Chang's worst film so far, which is quite a thing to say after having seen nearly 50 of his films. Chang is best known for his martial arts work, but from time to time he tried something different. Understandable, but it never really amounted to anything. Chang goes full-on drama/romance here, with disastrous results.
Casting a martial arts icon in a dramatic role is always a risk, but it's David Chiang's love interest who really messes things up. Not only is Agnes Chan a pretty bad actress, she's also a terrible singer. And this films features quite a few English pop songs covered by Chan. To call it grating is actually an understatement.
The plot about a forbidden (or at least frowned upon) love isn't very interesting either, especially not without any good performances to support it. The titular generation gap is never properly explored and the few action scenes that are here only underline the complete incompetence of this film. For completists only.
I'm actually quite surprised by the amount of non-martial arts films Cheh Chang directed. He's really only known for this martial arts cinema here, but once you dig deeper into his oeuvre all kinds of weird genre experiments pop up. Young People is a light-hearted sports flick. Like most "other" Chang films though, it isn't very good.
Several school clubs are caught up in minor feuds. Things get a bit more heated when several of the boys are interested in Princess, Ho Tai's girlfriend. The athletes, martial artists and performance club start to butt heads. After some back and forth, the rivalry comes to a conclusion during the school's cart racing competition.
Chang spends way too much time on uninteresting (and unrealistic-looking) games. Performances are pretty poor, at two hours the film is way too long and the comedy doesn't really work either. On the one hand it's a shame Chang wasted his time on films like this, on the other hand it's not like we're really lacking Shaw Bros martial arts features. This film is only for the real completists.